Hydra-Electric may also be known as or be related to HYDRA-ELECTRIC CO, Hydra-Electric, Hydra-Electric Co., Hydra-Electric Company and Hydra-electric Company. The data presented on this page does not represent the view of Hydra-Electric and its employees or that of Zippia. None of the information on this page has been provided or approved by Hydra-Electric. While we have made attempts to ensure that the information displayed are correct, Zippia is not responsible for any errors or omissions or for the results obtained from the use of this information. Sources of data may include, but are not limited to, the BLS, company filings, estimates based on those filings, H1B filings, and other public and private datasets. The data on this page is also based on data sources collected from public and open data sources on the Internet and other locations, as well as proprietary data we licensed from other companies. The employee data is based on information from people who have self-reported their past or current employments at Hydra-Electric. No mean feat.Zippia gives an in-depth look into the details of Hydra-Electric, including salaries, political affiliations, employee data, and more, in order to inform job seekers about Hydra-Electric. They are everything you like about riff heavy rock n roll, they just manage to put their own spin on it. That, perhaps, best shows what the differences between Electric Hydra and their obvious competition is. “Rise From Below” initially sounds like its going to be one of those ten minute epics we are all supposed to like, but does its work inside four and a half. Indeed, nothing here, unlike many bands of this ilk, is too fussed about outstaying its welcome. “1000 Lies” is typical, while “End Of Days” sees the apocalypse in with a cheery chug and almost dares the rapture to take it on, and when “Rebel” turns on the afterburners it is a thing of real beauty. Yes, there’s a dirt in these bass grooves for damn sure. Yet “The Betrayal” is close to being hit by a concrete block in a strip club, so simultaneously heavy and sleazy does it sound. There’s a waft of the occult as you might have expected (this one is sung by one of the male group members with Sanne harmonising to great effect) but there are so many hooks too.Īnd if I’ve not really mentioned the guitar playing yet, that’s only because it is so good you almost ignore it and take it for granted. “Iron Lung” adds to the sound with the feeling of early Clutch having a jam, while the lyrics are a lot more catchy than many bands of this ilk. Like, you can imagine a biker band racing about at 100mph to “Blackened Eyes”, just as much as you can see a headbanging moshpit being set off to “Grab What’s Yours”. The best thing about it – and there are many – is perhaps shown by “Won’t Go To War (With Myself)” because for all that this will get lumped in with the “stoner” crowd, there’s a lot of the Swedish punk n roll thing too. There’s such a high voltage running through this (that pun was intended) that it is pretty much irresistible. There’s such an energy about “It Comes Alive” that you don’t even notice the unhinged quality of Sanne Karlsson’s singing at first, but when you do, wow! This, quite frankly is majestic (no pun on the label intended) from start to finish. Along the way, there’s been a lot of line-up changes, appearances with Lucifer, Monolord, Truckfighters and Greenleaf – and of you take a mixture of all the bands I’ve mentioned so far, add in a bit of Clutch, a pinch of Orange Goblin and a fair dollop of originality, you are somewhere close. Electric Hydra formed in the Windswept West of Sweden, over a shared love of bands like Sabbath and Fu Manchu. They are also the type of label that this record belongs on, because by and large, they only release brilliant, riff ready rock n roll.īasically it goes like this. They handled the Euro release for this, and they are the type of label where blokes with beards pore over the latest releases, analysing every riff. There are beacons around the world, of course and one such is Majestic Mountain. The company also focuses on research and development, engineering, machining. It offers pressure, temperature, and flow and multi-function sensors, as well as pressure, temperature, liquid flow, hybrid electronic, and altitude switches. Gone are the days when you could look at the Red Spine of Atlantic and know what you were going to get, ditto MFN, East West, whatever. Hydra-Electric is a company that designs and manufactures sensors and switches for the aerospace industry. Ok, I am being facetious, but the point is that in these days of Spotify and whatnot, where every kid can upload whatever they like to Soundcloud in about five minutes, labels standing for something is anachronistic in the main. I can’t be the only one, upon hearing the news that Bob Dylan’s back catalogue had been sold to UMG for a nine figure sum, who went: “good grief, who knew record labels still existed….”
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